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Home Opinion Editorial

Vande Mataram: A Unifying National Song

From Editor's Desk by From Editor's Desk
December 10, 2025
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Prime Minister Narendra Modi and Home Minister Amit Shah have said that year-long celebrations of Vande Mataram are meant to strengthen national unity by embodying an emotional and constitutional connection that binds India’s diverse population beyond regional,religious divides.

As India marks the 150th anniversary of Vande Mataram, the nation finds itself reflecting not only on a historic song but also on the collective spirit it ignited during the freedom struggle. Breaking the barriers of regional and religious divides, Prime Minister Narendra Modi and Home Minister Amit Shah have unequivocally underscored that the year-long celebrations are meant to reinforce the spirit of national unity, particularly among the youth. Their message is clear: Vande Mataram, beyond its poetic and musical brilliance, embodies an emotional and constitutional connection that binds the country’s diverse population. The decision to celebrate the anniversary throughout the year across all states and union territories signals a renewed commitment to strengthening national cohesion. In a country as vast and varied as India, fostering a shared sense of belonging is essential, and few symbols capture this sentiment as powerfully as Vande Mataram. Written by Bankim Chandra Chatterjee, the song played a crucial role in galvanising the masses during the pre-partition freedom movement. Its resounding call to honour the motherland became a unifying force for people of different languages, regions and faiths. Today, that same spirit is being revisited—not as a relic of the past, but as a living symbol of India’s democratic and cultural identity. What stands out in the contemporary celebrations is the song’s cross-sectional acceptance. The singing of Vande Mataram in state legislatures, union territories and Parliament itself reflects its deep integration into the democratic fabric of the country. It is no longer limited to ceremonial occasions; rather, it has become an expression of constitutional identity, a reminder of the rights and responsibilities shared by every citizen. In this sense, Vande Mataram connects the present generation to the moral and emotional foundations of the national movement, reaffirming the principles that shaped the republic.

“To truly foster the values of unity and the democratic spirit among the youth and deepen their understanding of India’s constitutional ethos, it is crucial to engage them with the  history, meaning, and enduring legacy of  Vande Mataram . This song, which stands as a living tradition of Indian democracy, continues to inspire and unite the nation, powerfully reaffirming India’s unwavering commitment to the principle of unity in diversity.”

Equally important is the symbolic recognition that Vande Mataram transcends political and social divisions. For many, it represents a collective memory of a struggle that dismantled colonial rule and laid the cornerstone of modern India. The celebrations this year are thus an opportunity to revive that sense of purpose and pride, especially among the youth who must inherit and nurture the values of unity and democratic spirit. Encouraging them to engage with the song’s history, meaning and legacy opens pathways to a deeper understanding of India’s constitutional ethos. From provincial legislatures to the halls of Parliament, Vande Mataram remains a living tradition of Indian democracy—a tradition that continues to inspire, unite and remind us of the shared destiny that binds the nation. As the 150th anniversary celebrations unfold, they serve both as a tribute to the past and a reaffirmation of India’s enduring commitment to unity in diversity.

 

From Editor's Desk

From Editor's Desk

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The publication of “Kashmir Horizon” as an English daily was started with a modest attempt on May 19, 2008.It has been a Himalayan attempt for “The Kashmir Horizon” to survive the challenges posed to journalism in the violence fraught place like Jammu & Kashmir.

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